Opening of Westminster Cathedral Manuscript of Julian of Norwich's Showing of Love
 

ALSO KNOWN AS THE GODFRIENDS' WEBSITE, NAMED AFTER THE MEDIEVAL FRIENDS OF GOD , WHO INFLUENCED JULIAN OF NORWICH
 

ALSO KNOWN AS THE UMILTA WEBSITE, AFTER JULIAN'S FLORENTINE COUNTERPART, ST UMILTA` OF FAENZA, WIFE, MOTHER, NUN, ANCHORESS, ABBESS, SAINT
 
 

THE XII WEBSITES WITH PORTALS TO WEB ESSAYS:
I.JULIAN OF NORWICH II. AMHERST MANUSCRIPT PROJECT III. ST BIRGITTA OF SWEDEN IV. EQUALLY IN GOD'S IMAGE: WOMEN IN THE MIDDLE AGES V. MIRROR OF SAINTS VI. BIBLE AND WOMEN VII. BENEDICTINES VIII. THE CLOISTER IX. ITS SCRIPTORIUM X. LATIN WITH LAUGHTER: TERENCE THROUGH TIME XI. HEAVENWINDOW XII. OLIVELEAF

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Voice Recording of Westminster Manuscript Julian of Norwich, Showing of Love: Julian1.mp3, Julian2.mp3, Julian3.mp3, Julian4.mp3
Voice Recording of The Soul a City: Julian and Margery
Voice Recording of Julian of Norwich, The Lord and the Servant Newest
Voice Recording of Martin Buber's Julian of Norwich
Song Recording of Lydia McCauley, Sabbath Day's Journey: 'And All Shall Be Well'
Voice Recording of Thomas Gascoigne's Life of St Birgitta at birgitvita.mp3 Newest
Voice Recording of Quaker John Woolman, Plea for the Poor: Woolman1.mp3, Woolman2.mp3, Woolman3.mp3, Woolman4.mp3
Voice Recording of Augustine, Confessions XI
Recording of Ambrosian Chant, 'Deus Creator Omnium', heard by Augustine in Milan
Voice Recording of Augustine, Boethius, Dionysius, Dante: Julian's Mystical Philosophy at augmyst.mp3
Voice Recordings in italiano of Dante Alighieri, Commedia, recited, Carlo Poli,
Lettura di Carlo Poli, Inferno I, Inferno II, Inferno III, Inferno IV, Inferno V, Inferno VIII, Inferno X, Inferno XIII, Inferno XV, Inferno XVI, Inferno XXXIII, Inferno XXXIV
Purgatorio I, Purgatorio II, Purgatorio III, Purgatorio IV, Purgatorio V, Purgatorio VI, Purgatorio VII, Purgatorio VIII, Purgatorio X, Purgatorio XI, Purgatorio XX, Purgatorio XXI, Purgatorio XXIX, Purgatorio XXX, Purgatorio XXXI, Purgatorio  XXXII, Purgatorio XXXIII
Paradiso I, Paradiso II, Paradiso III, Paradiso IV, Paradiso V, Paradiso XXXIII
Padre Nostro, Vergine Madre Newest
Voice Recording of Poems Pennyeach at poems.mp3 Newest
Song and Voice Recording of Hedera, who is Rom from Romania, singing 'Alleluia'
Voice Recording of Romany Vocabulary by Daniel Dumitrescu, Vandana Culea and JBH at Romany.mp3 Very Newest

We suggest your opening two or three of these simultaneously for an intriguing effect, mixing together speech and music, like a medieval motet, that you create. Re-call this page in your browser, while reducing each .mp3 file, these continuing to play polyphonally as background to the visual text. At first books were written out by hand, in manuscript, often gold-leafed as well as rainbow-coloured, and were read aloud and chanted from. Then they became black and white printed books, read silently in intellectual loneliness. Now they can be the sensuous luminous and harmonious pages, with colour again, and with song, with voice, through the new/old technologies of alphabet and number, the zeros and ones, of our computers, of our information society. With the new technology we return writing to the recording of human speech that it really is, an earlier technology, from merely the letters and the silent eye to the sounding voice and the ear as well. With thanks to Godfriends Julie and Ilya in Oxford and to my cousin Robin in Canada.

You can search a particular reference term within this particular website, http://www.umilta.net, about Julian of Norwich, using the search engine below:

Search WWW Search www.umilta.net

{In the early Middle Ages, the first two thirds of Christianity, in monasteries and convents, women could be equally learned as were men. These were Schools for Prayer, living the Word of God, the Gospel, the Bible. In the Twelfth Century, in Paris, the pagan Greco-Arabic model of the university was subverted and adopted by the Church. From its lecture halls, where theology now came to be taught to authorized specialists, women were rigorously excluded, only finding their way back partially into the world of learning in our past century. Likewise with this learning, minds became abstracted and divorced from soul and from body, from the family, from women and children, concentrating upon the intellect only, out of harmony and balance to flesh and blood reality, to Creation. In this website, crafted by both men and women, and also by their children, shall be presented a wealth of learning for men and women and children, culled through time from spiritual, rather than temporal, sources, from collaborative, not competitive, communities. Imagine this composite website as your monastic library, your scriptorium, within your anchorhold, to read in prayerful contemplation. Wisdom, God's Daughter, says:

{The Lord created me at the beginning of his work. The first of his acts of old. Ages ago I was set up, at the first, before the beginning of the earth  . . . When he established the heavens I was there, when he drew a circle on the face of the deep. When he made firm the skies above, when he established the fountains of the deep.  When he assigned to the sea its limits, so that the waters might not transgress his command, when he marked out the foundations of the earth, Then I was beside him, like a master workman, and I was daily his delight,  Rejoicing before him always, rejoicing in his inhabited world .

Proverbs 8.22-31

{Although she is but one, she can do all things, and while remaining in herself, she renews all things; in every generation she passes into holy souls and makes them friends of God and prophets . . .  She reaches mightily from one end of the earth to the other and sweetly doth she order all things.

Wisdom of Solomon 7.27-8.1

{For if hevene be on this erthe . and ese to any soule,
It is in cloistere or in scole . be many skilles I fynde;
For in cloistre cometh no man . to chide ne to fi3te,
But alle is buxomnesse there and bokes . to rede and to lerne.

Piers Plowman B.X.300-303

Westminster Cathedral Manuscript , Julian on the Hazel Nut

Italian blessed olive leaves , Australian hazelnut

Earth First Seen From Space
 

The Umilta Website, about the love of God and neighbour, is constructed as a colour-coded memory system as were medieval manuscripts, Anglo-Saxon materials in alternating reds and greens, later medieval materials in alternating reds and blues, in the latter case like pulsating umbilical cords, of the Word become flesh dwelling in our midst, oliveleaf trauma healing material being in blues and greens. Brown ink signifies a quotation from a manuscript, other text in grey signifying modern commentary. A hierarchy of scripts is used with large capitals for websites, smaller capitals for their subsets, in the titles to essays. Rather than modern technology, with counters, java, flags, we shall use an ancient simplicity in words and images, from the Age of Faith. As did Julian herself. Had she lived in our centuries, Julian would have used the Internet so. This Website, like Julian's Benedictinism, is intentionally a school of learning, a school for contemplation; yet, like Julian of Norwich's Showing of Love, it is for everyone, wherever you may be in the world, poor or rich, crippled or whole, lay or cleric, children, women, men. As Ritamary Bradley wrote in Julian's Way: A Practical Commentary on Julian of Norwich (London: Harper Collins, 1992), we are about not only the theory, but also the practice, of Julian of Norwich's Showing of Love, in all its kaleidoscopic aspects, like dew upon cobwebs sparkling amidst mist, like the Gothic traceries of Julian's Cathedral of the Holy and Undivided Trinity of Norwich.
 

Norwich Cathedral

Copying Julian, this webmistress lives as a hermit in a graveyard, though in Florence rather than Norwich. Why our English has to spill over into Italian, and even Spanish and Portuguese. We are global. We are ecumenical. We are like Teresa of Avila's Interior Castle. About spiritual riches, not ephemeral money. We encourage the parallel use of languages other than English. We encourage the learning of skills and handcrafts. We are a library about a library. We encourage you in the writing of books, of web essays, that restore meaning. The Web, like Wisdom, God's Daughter, can reach from one end of the globe to the other, sweetly ordering all things, but not in temporal or spatial linearity, instead, with hypertexting, with elaborate weaving and embroidering, with the tracery of cobwebs with dew on them, reflected in Gothic windows, arabesqueing back upon itself through time and space. In this we mirror the synapses of the human brain/mind, powered by our hearts/ lungs, charged by our souls in God's image. We seek your creative contributions.
  

In Italian, French, Spanish, English, Russian German: /crosstations

In italiano:
/alfabeto come famiglia, /angelicorosary, /benedettina, /biblioteca, /bigallo, /bluegreen, /brigida, /buber, /canterbury, /casaguidi, /child, /convegni, /crosstations, /dante, /door, /eremo, /gloria, /lapiramazzei, /lent, /mass, /myriam, /padrenostro, paideiadantesca/, /povertà, /beatoangelicorosary, /ruusbroec, /sayiner, Vita Nuova, ecc., Atti dei Convegni Internazionali in Firenze, 'La citta` e il libro I: L'alfabeto, la Bibbia'; La città e il libro II: Il manoscritto, la miniatura; La città e il libro III: Il Cimitero 'degli Inglesi' /Libreria Editrice Fiorentina; Dante Alighieri, Commedia, lettura di Carlo Poli, Inferno I, Inferno II, Inferno III, Inferno IV, Inferno V, Inferno VIII, Inferno X, Inferno XIII, Inferno XV, Inferno XVI, Inferno XXXIII, Inferno XXXIV; Purgatorio I, Purgatorio II, Purgatorio III, Purgatorio IV, Purgatorio V, Purgatorio VI, Purgatorio VII, Purgatorio VIII, Purgatorio X, Purgatorio XI, Purgatorio XX, Purgatorio XXI, Purgatorio XXIX, Purgatorio XXX, Purgatorio XXXI, Purgatorio  XXXII, Purgatorio XXXIII; Paradiso I, Paradiso II, Paradiso III, Paradiso IV, Paradiso V, Paradiso XXXIII; Padre Nostro, Vergine Madre; Poesie da un Penny, e audio file, Poesie

Im Portugues:
AUDIO FILE IN PORTUGUESE, SONETOS PORTUGUESES II recorded by Roderigo Araês Caldas Farias who came with his wife from Brazil to visit Elizabeth Barrett Browning's tomb, /pindex, /chefe, /phand, /PaiNosso, /gypsy
Beneditinos: /pbento, /pcoll1, /pcoll3, /pcath, /pexempl, /pgascoign

In Spanish:
/crosstations, /eremit, /padre nuestro

In Latin:
/abbess, /arundel, /august, /bennet, /birgitta (this website includes all of St Birgitta of Sweden's Revelationesain Latin), /certosa, /clare1,
/clare2, /gregory, /jerusalem, /kalmar, /rb1, /rb2, /rb3, /scholastica, /terence (this website includes two of Terence's plays, Heontimorumenos and Eunuchus, plus two of Hrotswitha's, Abraham and Mary, Paphnutius and Thais, plus two of the Orléans Manuscript 201,liturgical dramas Resuscitatio Lazari and Officium Peregrinum, in their Latin), /walterjong (Wit and Mystery in Mediaeval Latin Hymnody) /whiterig, /VII Great O Antiphons of Advent, XV O's of Holy Week

En français:
/aucassin, /crosstations

In Russian
/sergius

On Codicology and Paleography:
/amherst, /aucassin /binding, /ege, /folio, /gascoigne, /norcastl, /papyrology, /tablet, /terence, /terencechaucer, /upholland, /westmins, /whiterig, /beth (on manuscripts and documents in Florentine libraries and archives), /libzayin.

Of particular use in teaching and learning even Latin with laughter at all levels: /alphabet; /playschool, /terence (Terence's Comedies, and medieval plays based on these, with engravings and manuscript illuminations); and /aucassin, the chant-fable Aucassin and Nicolete, in parallel text, English and French, with its medieval music and with contemporary illuminations, both providing material which can be performed in modern classrooms/ lecture halls.

On being a monk in the world, a hermit in the city:
/benedict, /birgitta, /burningbush, /cloister, /columban, /eremit, /eremo, /gabrielia, /julian, /soulcity

Pages with external portals/links:
/cloister, /folio, /preface

Pages with internal portals/links:
/amherst, /benedict, /bible, /birgitta, /cathersiena, /cloister, /equally, /familyalbum, /julian, /mirror, /oliveleaf, /prayer, /Rom, /terence, /wisdom (scriptorium)
Links to Lydia McCauley's music composed to Julian's 'And all shall be well': 
Sabbath Day's Journey, http://www.lydiamccauley.com/recordings.html

and for sheet music of 'And all shall be well' composed for the harp by Shirley Starke, http://valkyriepub.tripod.com/sheetmusic.htm

Image: Elly Fythian

EDITRICE 'AUREO ANELLO'/ AUREO ANELLO BOOKS:

E-BOOKS OUR VIRTUAL LIBRARY PUBLISHES ON LINE:

The Julian of Norwich Library Project:
Latin with Laughter: Terence through Time Latin and English
Miriam and Aaron: The Bible and Women In Progress
Benedict's Rule Latin
Gregory's Dialogue II Latin
John Whitrig, Contemplating the Crucifixion
William Flete, Remedies against Temptations
Birgitta of Sweden, Revelationes Latin
Equally in God's Image: Women in the Middle Ages
A Benedictine Nun in Exile, Colections
Jarena Lee, Her Call to Preach the Gospel
Rose Lloyds, An English Rose

The Brunetto Latino Project:
Brunetto Latino, Il Tesoretto Italian and English
Brunetto Latini, Il Bestiario Italian
Sweet New Style: Brunetto Latino, Dante Alighieri, Geoffrey Chaucer
Aucassin and Nicolete French and English

Florence in Sepia Project:
Elizabeth Barrett Browning's Florence Italian and English
Susan and Joanna Horner, Walks in Florence, transcribed, Carolyn Carpenter
Sophia Peabody Hawthorne, 'Florence', from Notes in Italy
Augustus J.C. Hare, Florence
Florence in Sepia

Oliveleaf
Poems Pennyeach
Mosaic

See /portfolio for hard-copy books and CDs available from this website, which publishes books to support its library, the Biblioteca e Bottega Fioretta Mazzei

VIRTUAL UNIVERSITY: Apple has now begun ITunesU, with Stanford and Berkeley, my alma mater, offering free courses as podcasts. It will be possible for us to offer courses in the same way, as soon as I teach myself the new technology. Suggested Materials: Julian of Norwich; Birgitta of Sweden; Friends of God; Florence's Saints; Dante Alighieri; Christine de Pizan, Le chemin de Long Etudes; Birgitta of Sweden; Codicology and Paleography; Benedict's Blessing; Miriam and Aaron: Bible and Women; Latin with Laughter, etc. I envision these courses as a mixture of oral lectures with visual materials as well as references to existing webessays on these websites (umilta, florin). Let us know to which courses you would wish to subscribe. Especially valued will be contributions from others.

Contributors, Participants, Supporters of the Umilta and Florin Websites: The Lady Abbess and Nuns of Syon Abbey; Christopher Abbott, England; Professor Jeremy Duquesne Adams, Dallas; Professor Maria Giulia Amadasi, Rome; Dr Franca Arduini, Florence; Attica State Prison; Alfredo and Gabriela Bardazzi, Florence; Jane Barr; Canon Tony Barnard, Lichfield Cathedral; Don Divo Barsotti, Settignano; Dr Giorgio Battistoni, Verona; Joan Bechtold, Denver; Erna Beck, Bergen; Professor Adelaide Bennett, Princeton; Professor Birger Bergh, Lund; Professor Ursula Betka, Sydney; Stefano Borselli, Florence; Elise Boulding, Massachusetts; Fr Finbar Boyle, OSB, Pluscarden Abbey; Margaret Campbell SNJM, Oakland; Giovanna Carocci, Florence; Paola Cecchi, Florence; Suor Chiara Teresa Figlio dell'uomo, O.Carm, Lucca; A.I. Doyle, Durham; Amalia Ciardi Duprè, Florence; Professor Maria Grazia Ciardi Duprè Dal Poggetto, Florence; Hedera Cjuraru, Romania; Paolo Coccheri, Vincigliata; Jeannine Collier, Michigan; Francesco Comandini, Rome; Rose Cordova, Colorado; Dr Luciana Cupa Csaki, Verona; AD, Florence; Alecia Carole Dantico, Boulder; Sr Mary Clemente Davlin, OP, Illinois; P. Luigi De Candido, OSM, Monte Senario; Juliana Dresvina, Cambridge; David Hugh Farmer; Fr Gerard Farrell, OSB, Princeton; Kevin Faulkner, Norwich; Sr Victorine Fenton, OSB; Professor Giovanna Fozzer, Florence; Dr Angela Franco, Madrid; Kathy Frate, Staranzano; Professor John Fleming, Princeton; Nigel Foxell, Amberley; Dr Angela Franco, Madrid; Professor Marcello Garzaniti, Florence; Professor Gail McMurray Gibson, North Carolina; Enrico Giannini, Florence; Don Bernardo Francesco Gianni, OSB.Oliv., San Miniato; Adriano and Betty Guadagni, Antella; Karen Graffeo, Alabama; Fr John Halborg, St Ansgar's; James Hannay, Dallas; Professor Catherine Harding, Canada; Monica Hedlund, Uppsala; Professor Maire Herbert, Cork; Professor Laura F. Hodges, Houston; Bettina Hoffman, Florence; Professor James Hogg, University of Salzburg; Professor Robert Hollander, Princeton; Akita Maniyo Bright Holloway, Santa Fe; Colin Lincoln Holloway, New Mexico; Halbert Harold Holloway, Pennsylvania; Julia Bolton Holloway, Florence; Jonathan Luke Holloway, Tennessee; Richard Ben Holloway, Philadelphia; Canon James Irvine, New Brunswick;  Deidre Jackson, London; Alexandra Johnson, Massachusetts; William Johnston, SJ, Tokyo; Fray Alberto Justo, OP, Argentine; Bob King, Firewheel; Margot King, Toronto; Sr Anna-Marie Kjellergaard, OSB, Denmark; Fr Odo Lang, OSB, Einsiedeln Abbey; Ann Lastman, Melbourne; Professor Claudio Leonardi, Florence; Professor Mirella Levi D'Ancona, Florence; Otfried Lieberknecht, Germany; Kate Lindeman, New York State; Catharina Lindgren, Sweden; Fr Robert Llewellyn, Norwich; Rose Lloyds, England; Asphodel Long, England; Pamela Loos-Noji, Chicago; Ken Lott, America; Professor John Lounibos; Antonella Lumini, Florence; Anthony Luttrell, Bath; Moira Macfarlane, Florence; Patricia McIntyre, Boulder; Dr Scott McKendrick, British Library, London; Fr Martin McNamara, Ireland; Professor Christine McWebb, Canada; Maria Makepeace, Durham; Professor Elizabeth Makowski, New York; Nicholas Mander, Owlpen; Maria Margheri Manetti, Borgo San Lorenzo; Professor James Marchand, Illinois; Fioretta Mazzei, Florence;  Lapo Mazzei, Florence; Bernard Meehan, Trinity College Library, Dublin; David Moreno, Spain; Carmel Miller, Melbourne; Paolo Molinari, SJ; Dr Vittorio Montemaggi, Cambridge; Professor Claudio Moreschini, Pisa; Sr Jane Morrissey, SSJ; Fr Nathanael, Ohio; Maiju Lehmijoki, Finland; Sheri Liao Xiaoyi, Beijing Global Village; Rev Matthew Naumes, Tacoma; Giorgio Nencetti, Montebeni; Edward P. and Liesel Nolan, Boulder; Professor Tore Nyberg, Denmark; Hazel Oddy, Quebec; Professor Alexandra Olsen, University of Denver; Professor Svanhildur Oskarsdottir, Iceland; Maurice A. O'Sullivan, Bray, Ireland; Elizabeth Paine, England; Sr Pamela, All Hallows; Sr Patricia, Vadstena; Georgina Peacock, Purley; Michael Perrin, Thailand; Professor Domenico Pezzini, Milan; Isabella Prondzynski, Brussels; Giannozzo Pucci, Ontignano; Fr Ambrose Tinsley, OSB, Glenstall Abbey; Professor Cecile Quentel Touche, Rennes; Repubblica di San Procolo, Florence; Sr Anna Maria Reynolds, CP, Dublin; Rosalie Riegle, Michigan; Professor Ann M. Roberts; Mark Roberts, Florence; Professor Elizabeth Robertson, Boulder; Nicholas Rogers, St Ansgar's; James Rotherham, Yorkshire; Philip Roughton, Iceland; Brigitte Roux, Geneva; Dame Benedict Rowell, OS, Colwich Abbey; Alifa Saadya, Jerusalem; Petter Sammerud, Oslo; Elisabetta Sayiner Pellegrini, Pennsylvania; Professor Richard J. Schoeck, University of Colorado, Boulder; Professor Regina Schwartz, Chicago; Nhora Lucia Serrano, Wisconsin; Tsai Shu-Hui, Boulder; Carmo Silva, Lisbon; Dr Adele Simonetti, Rome; SISMEL (Società Internazionale per lo Studio del Medio Evo Latino), Florence; Professor Pasquale Smiraglia, Rome; Revd Declan Smith, Ireland; Tony St Quentin, Leeds; Barbara Stanton, Alaska; Carlo Steinhauslin, Florence; Dr Renato Stopani, Florence; Professor Giuliano Tamani, Venice; Tim Taylor, Boulder; Timothy E. Thompson, Florence; Dame Margaret Truran, OSB, Stanbrook Abbey; Bruno Vivoli, Florence; Dr Timothy Wilson, Oxford; Professor Ester Zago, Boulder; Professor Ida Zatelli, Florence. Our profound thanks for all your generosity.

Fr Odo Lang, OSB, Einseideln Abbey, which owns Mechtild von Magdebourg and Henry Suso manuscripts. Photo Frau Liliane Géraud, Zürich

The Umilta Website functions as part (Mediatheca) of the Biblioteca e Bottega Fioretta Mazzei in Florence. It seeks materials to publish, particularly texts and editions related to contemplative women: Birgitta of Sweden, Julian of Norwich, Catherine of Siena, Umilta of Faenza, etc., and materials on manuscript studies, including digital editions of manuscripts. Editor and Webmistress: Sister Julia Bolton Holloway, Hermit of the Holy Family, Director of the Biblioteca e Bottega Fioretta Mazzei. Editorial Board: Professor James Hogg, Analecta Cartusiana; Rev. Matthew Naumes. Publisher: Editrice "Aureo Anello". Sponsor: Aureo Anello Associazione Biblioteca e Bottega Fioretta Mazzei e Amici del Cimitero 'degli Inglesi'. Contributions are welcomed, particularly in the relevant languages, and can be sent to the Editor.

Welcome

 
UMILTA WEBSITE © 1997-2005 JULIA BOLTON HOLLOWAY  || GENERAL INDEX  || JULIAN OF NORWICH  || ST BIRGITTA OF SWEDEN  || EQUALLY IN GOD'S IMAGE: WOMEN IN THE MIDDLE AGES  || MIRROR OF SAINTS  || BIBLE AND WOMEN  || BENEDICTINES || THE CLOISTER  || ITS SCRIPTORIUM  || LATIN WITH LAUGHTER: TERENCE THROUGH TIME  || AMHERST MANUSCRIPT|| HEAVEN WINDOW || OLIVELEAF || CATALOGUE (HANDCRAFTS, BOOKS) || BOOK REVIEWS || BIBLIOGRAPHY || E-BOOKS || LANGUAGES: LATIN || ITALIANO || PORTUGUES || SPAGNOLA || FRANÇAIS ||

Latest Books:

The Definitive Edition and Translation of the Extant Julian of Norwich Showing of Love Manuscripts:

To see the text inside click here

Julian of Norwich, Showing of Love: Extant Texts and Translation, ed. Sister Anna Maria Reynolds, C.P. and Julia Bolton Holloway (linen bound volume of 848 pages, with 18 plates of the manuscripts in full colour, ISBN 88-8450-095-8) from University of Florence, SISMEL Edizioni del Galluzzo  (Their price is  €191,09 [subject to change], and postage is €36.46 air mail, €21.38 surface to America), or directly from Julia Bolton Holloway [price is negotiable]. The first edition is printed in 1670 copies. Reviewed in Sapienza, Medium Aevum, Speculum, etc.

New

To order use send e-mail or write to
Julia Bolton Holloway, Director
Biblioteca e Bottega Fioretta Mazzei
Piazzale Donatello 38
50132 FIRENZE
ITALY

Julian of Norwich, Showing of Love, translation in paperback (ISBN: 0-8146-5169-0), xxxiv+ 133 pp, three colour printing, 2003. Order, in America, The Liturgical Press, St John's Abbey, $19.95; in England, etc., Darton, Longman and Todd, available at bookshops, £9.95.

To see inside this book, where God's words are in red, Julian's in black, her editor's in grey, click here.
 

Julian of Norwich, Showing of Love, Westminster Text, translated into Modern English, set in William Morris typefont, hand bound with marbled paper end papers within vellum covers, in limited, signed edition. A similar version available in Italian translation. Can be accompanied by CD of a reading of the text. To order, click here.

To view sample copies, actual size, click here.

Saint Bride and Her Book: Birgitta of Sweden's Revelations. Translated from Latin and Middle English with Introduction, Notes and Interpretative Essay. Library of Medieval Women. Series Editor, Jane Chance. Boydell and Brewer , 2000. Revised, republished, third edition. xvi + 151 pp. ISBN 0-85991-589-1

Two books on Dante Alighieri:

The Pilgrim and the Book: A Study of Dante, Langland and Chaucer (ISBN0-8204-2090-5); illustrated, indexed, third edition, available from Julia Bolton Holloway, Julia Bolton Holloway. $25, 25 euro.

Twice-Told Tales: Brunetto Latino and Dante Alighieri (ISBN 0-8204-1954-0), illustrated, indexed, available from Julia Bolton Holloway, Julia Bolton Holloway. $25, 25 euro. Review